A flashback of Sarah and her husband opens the sequence, and sets the narrative for the film. The flashback ends dissolves into a shot of Sarah waking her up to an empty bed. As she is preparing herself for work, flashbacks occur throughout the house that show her deceased husband. The flashbacks imply she was happier when she was with him, and when the flashbacks stop the narrative is able to continue with how her life will carry on without him. The flashbacks are set in a warm tone, that will clash with the blue/grey tone over the present shots of sarah to show a happier part of her life when her husband was alive.
Friday 14 September 2012
Synopsis
Synopsis:
A flashback of Sarah and her husband opens the sequence, and sets the narrative for the film. The flashback ends dissolves into a shot of Sarah waking her up to an empty bed. As she is preparing herself for work, flashbacks occur throughout the house that show her deceased husband. The flashbacks imply she was happier when she was with him, and when the flashbacks stop the narrative is able to continue with how her life will carry on without him. The flashbacks are set in a warm tone, that will clash with the blue/grey tone over the present shots of sarah to show a happier part of her life when her husband was alive.
A flashback of Sarah and her husband opens the sequence, and sets the narrative for the film. The flashback ends dissolves into a shot of Sarah waking her up to an empty bed. As she is preparing herself for work, flashbacks occur throughout the house that show her deceased husband. The flashbacks imply she was happier when she was with him, and when the flashbacks stop the narrative is able to continue with how her life will carry on without him. The flashbacks are set in a warm tone, that will clash with the blue/grey tone over the present shots of sarah to show a happier part of her life when her husband was alive.
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