Friday 26 October 2012

Casting considerations

Casting Considerations for Bradley:


Josh Worthington, 18.
In terms of typage, Josh was unsuitable for the role of Bradley because of his light coloured hair. I wanted to have a character that had a dark brown or dark blonde coloured hair to fit the rugged appearance of a soldier. I felt that Josh's light hair colour made him look innocent and didn't convince the audience of his role in the army. I also felt that his build didn't match the fitness requirements intended to convince the audience that he was a soldier based in Afghanistan.   



Riley Wong, 17. 
Although Riley was very capable of following my shooting script and pulled off a convincing actor, in terms of typage Riley's appearance wouldn't have convinced the audience that he was a soldier. His glasses gave the stereotype that he was very intelligent and would most likely be in a office or a highly skilled job rather than outside in the elements. 

Casting considerations for Sarah:



Georgia Corrigan, 17.
Georgia was also very capable at convincing the audience of her role as a widow. But her light coloured hair didn't match Bradley's darker colour, which made them seem less of a couple. Although her hair colour gave the impression of innocence, I wanted a character with darker coloured hair to give the code that she was mourning for her deceased husband. 

The characters I chose to use were suitable for each other because of their similar hair colour and their similar height. These similarities made them look a comfortable couple on screen, and the way the were comfortable with each other on set allowed me to portray a convincing couple for the audience to watch. 




Wednesday 24 October 2012

Screenplay examples and research

American Beauty (1999), Sam Mendes screenplay




The layout of this screenplay is very similiar to how i want to layout my own, except my own screenplay didn't include any script due to it being silent. This screenplay gave me ideas of how to layout my own, using bold, italics, editing directions and centering of text.


These two pages gives me more of an idea of the detail needed to be included. I referred to these two pages when writing my own screenplay so that my layout was clear and convincing of a professional screenplay. 

Tuesday 23 October 2012

Prodution Timetable


Prop list

Prop list:
wedding ring
bedside framed picture of husband
bunch of flowers
red letter and anniversary card
red clothing for the protagonist (dress or skirt)
husbands clothes (to scatter over bedroom floor)
husbands watch




Monday 22 October 2012

Evaluation of Maltese Falcon reconstruction

Evaluation for ‘The Maltese Falcon’ reconstruction.

During the reconstruction of this sequence our group came across difficulties that complicated the production. Although the final product was a success, the post production became very important to get the correct position of the camera for the shot.

The main obstacle our group had trouble with was the continuity throughout the sequence, because we had a limited time to complete each stage of production, we were pressured to complete shots in hour slots in our college timetables. A result of this was having to rearrange our mis-en-scene in the exact position as the previous shots, this became a problem when we were editing. Georgia’s scarf (Mrs Wonderly) is visible in the shot 1:11, but then isn’t in shot 1:31. Unfortunately because we were pushed for time we couldn’t re-take this shot to correct the continuity, which was a good learning point in the fact that a lot of planning is needed to avoid these little mistakes.

Another continuity obstacle we didn’t take into consideration was that because we had to film on different days, the weather would change the lighting that was coming through the window and would in turn change the lighting within the room. We attempted to counteract this problem by using blinds and a portable LED light, which worked in our benefit in the final outcome by helping to create a film noir effect, which we were aiming for.  Although we were pressured for time, I feel the final outcome of our reconstruction and the continuity for a rushed amateur film was of a high standard. This obstacle has proven that a high amount of time and planning is needed to organise shots and camera angles for my own creative project.

Our budget was very limited, and we were required to use our own clothing and possessions to create the mis-en-scene inside the room. Despite the fact we had to improvise with some objects, I feel that what we did use was very effective at replicating the original clip.
All actors throughout our reconstruction were amateur, and although the acting wasn’t of a professional standard I feel that it was effective and the actors created a believable character for the audience to be interested in. We printed off the script from The Maltese Falcon, so that the speech and stage directions were precisely the same in our film.

Cinematography was the most frustrating obstacle that our group came across. Our project was very low budget so a classroom was our only option for the setting; this gave us the challenge to try match our setting with the setting of the original film. A result of this was that we had to change the position of the camera in a particular shot when Archer enters the office (2:00), and frame him entering the shot from the right side of the room not the left. Our group also had no access to a lapel microphone, so we only had the microphone that was built into the camera. This will be become a challenge for when I begin to film my own project, and figuring out how to use them effectively.

Our group ended up with a few extra hours before the deadline, so we decided to create a gag reel of all the wasted or humorous clips that we had left. The gag reel is evidence of the obstacles you have to overcome when working with amateur actors that are nervous in front of the camera, and the pressure they are under to learn the script.

In conclusion, I feel my groups’ reconstruction of the Maltese Falcon was well organised and we were able to work together effectively and create a convincing sequence that allowed us to practice our filming, editing, and team working skills.
 

Wednesday 10 October 2012

Audience

I have chosen to aim my film at the audience 15-25 female because of the genre and the conventions. The genre, romantic/drama, implys love instantly which then implys emotions are involved within the narrative. Traditionally women are more interested in films that highly involve emotions and love because they are stereotypically more in touch with their own feelings, so therefore can relate to the characters feelings in the storyline easily and can understand the situations they are involved in. The audience I chose will be 15-25 because that is the average age when relationships are usually still unsteady, and heartbreak and emotions are a main part in couples lives. Which is why I aimed my audience at this age and gender because it will attract the majority audience.

Saturday 6 October 2012

Camera tips

I researched camera tips for my shooting to allow for a more professional look for my film. It also helped to improve my knowledge of using a camera and filming.

  • To not zoom in and out. Zoom in OR out which allows for a nicely composed shot.
  • Always, if i can, to use a tripod for a steady shot.
  • If i can, use the manual focus not auto focus which helps to make the main character look sharp.
  • To be aware of windows or the sun position to make sure the character's face is not in the dark.
  • To not use the cameras effects, always edit the shot on the computer editing software to allow for manual editing of your wanted shots.
  • To try not centre the subject in the centre of the frame.
  • To allow a few seconds of the camera running before and after action to make sure non of the shot is cut off.
  • To make sure the actors go from just before the shot to just after to allow for precise editing of the continuity of the shot.

Thursday 4 October 2012

The Maltese Falcon: Filming

First day filming: Filmed the longer sequences of dialogue (Georgia) to allow more time for filming the more tedious camera angles and dialogue.

Second day filming: Completed the first 6 shots (Georgia, Josh and I) and dialogue with extra shots in case editing and continuity doesn't fit.

Third day filming: Friday - should allow us to complete the full film sequence, giving our group the whole of next week to edit or re-take shots if needed.

Editing was completed on the second week of production, and we had enough time remaining to create a blooper reel.

Final production
http://www.youtube.com/watch?v=QGTfzuD70EA&feature=relmfu

Final production gag reel
http://www.youtube.com/watch?v=KjFXNOoV9PI&feature=relmfu